Shahria Sharmin — Call me Heena

Review by Lee Halvorsen •  The images, the book as an object, the story, the people, and the artist weave, then blend together to create the soul of this incredible work of art. Shahria Sharmin spent a dozen years listening to and coming to know people in Bangladesh’s Hijra community. In the Afterword, Sharmin walks... Continue Reading →

Amani Willett — Invisible Sun

Review by Lee Halvorsen •  The Japanese have a word that perfectly describes how I imagine Willett approached making this book…”Komorebi” (木漏れ日) often translated as sunlight filtering through leaves, creating patterns of dancing light and shadow, and, importantly, a feeling of discovering light in the darkness. In an Afterword, which is a large sticky on... Continue Reading →

Brian O’Neill – A Desert Transect

Review by Sebastian Boute and Matt Schneider · Thus, whether riding or walking, the process becomes about forms of reflection. Importantly, it is about the obstruction/mediation. Perhaps it is this kind of limitation that makes knowledge possible – that enacts a kind of deep inscription, if not a mapping, in the artist/writer/photographer/documentarian. And so, what... Continue Reading →

Blake Andrews – asa nisi masa

Review by Hans Hickerson · Some readers of this review might know what “asa nisi masa” means, but most of you presumably do not. I definitely did not, and so I Googled it, and here is what I found: "Asa nisi masa" is a phrase from Federico Fellini's film 8½ (1963) that is a code... Continue Reading →

Bruce Haley – Winter

Review by Hans Hickerson · Where photographer Bruce Haley lives, BLM does not stand for “Black Lives Matter.” It stands for “Bureau of Land Management,” the federal agency that manages some 245 million acres of public land, or about ten percent of the United States, an area bigger than France and Italy combined. Most of... Continue Reading →

Matthew Genitempo Interview

Interview by Brian Arnold · I can’t tell a lie – the first time I read Jasper by Matthew Genitempo, I didn’t get it. This isn’t a bad thing, rest assured, because I can say that about many of my favorite books. I think this is largely a result of complexity – in an initial... Continue Reading →

Martin Stupich — ORE and EMPIRE

Review by Lee Halvorsen •  History, art, colonialism, exploitation, humanity…all swirling about in Stupich’s monumental collection of visual and textual art in this book. He brings North America’s Camino Real alive from the time of the Spanish Conquistadores to twentieth century’s Guggenheim’s vice like grip on silver and copper mining that are on the same trails ridden... Continue Reading →

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