Chris Suspect – Old Customs

Review by Steve Harp • I visited Albania in 2009. Until opening – slowly – to Western tourism in the mid-1990s, Albania had been known as the most tightly closed, inaccessible country in Europe, a blank spot on the map, even after the fall of the East bloc. So imagine my wonderment, while walking one night on... Continue Reading →

Satoshi Hirano – Reconstruction. Shibuya, 2014 – 2018

Review by Rudy Vega • Satoshi Hirano’s Reconstruction documents the large-scale redevelopment of Tokyo’s Shibuya station. Reconstruction is the culmination of a photography project Hirano pursued from 2014 to 2018. Portraying a nocturnal view, Hirano provides an insider’s look to the ongoing expansion of the station, offering the viewer access that would otherwise be difficult if not impossible... Continue Reading →

Dotan Saguy – Nowhere to Go but Everywhere

Review by Melanie Chapman • During these past few months of the pandemic, haven’t we each found ourselves staring out windows, looking for signs of life, and longing to travel near and far once again?  Dotan Saguy’s newest work Nowhere to Go but Everywhere arrives at a perfect time. Even if the book’s title, taken from... Continue Reading →

Henrik Malmström – Garbage Systems

Review by Wayne Swanson • This photobook is complete garbage. Garbage containers, garbage pickers, garbage. Even the front and back covers are garbage — recycled cardboard. Why garbage? Garbage is much more than just what we throw away. It’s a web of social, cultural, political, and economic considerations. The main interest of Henrik Malmström, a Finnish photographer... Continue Reading →

Yukari Chikura – Zaido

Review by Douglas Stockdale • A dream in which a deceased father speaks words of inspiration to his daughter, who, now inspired visits a snowy village in which her father was born and lived long ago in the north of Japan. Upon her arrival she is confronted by an ancient performance of Zaido, said to be... Continue Reading →

Jan Mammey – Mise en Abyme

Review by Wayne Swanson • German photographer Jan Mammey celebrates form in all its forms in Mise en Abyme. There are lines, angles, shapes, and volumes. Built forms and organic forms that mimic the built. All are here, often on top of one another. The title refers to the formal technique of placing a copy of... Continue Reading →

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