Blake Andrews – asa nisi masa

Review by Hans Hickerson · Some readers of this review might know what “asa nisi masa” means, but most of you presumably do not. I definitely did not, and so I Googled it, and here is what I found: "Asa nisi masa" is a phrase from Federico Fellini's film 8½ (1963) that is a code... Continue Reading →

Bruce Haley – Winter

Review by Hans Hickerson · Where photographer Bruce Haley lives, BLM does not stand for “Black Lives Matter.” It stands for “Bureau of Land Management,” the federal agency that manages some 245 million acres of public land, or about ten percent of the United States, an area bigger than France and Italy combined. Most of... Continue Reading →

Matthew Genitempo Interview

Interview by Brian Arnold · I can’t tell a lie – the first time I read Jasper by Matthew Genitempo, I didn’t get it. This isn’t a bad thing, rest assured, because I can say that about many of my favorite books. I think this is largely a result of complexity – in an initial... Continue Reading →

Martin Stupich — ORE and EMPIRE

Review by Lee Halvorsen •  History, art, colonialism, exploitation, humanity…all swirling about in Stupich’s monumental collection of visual and textual art in this book. He brings North America’s Camino Real alive from the time of the Spanish Conquistadores to twentieth century’s Guggenheim’s vice like grip on silver and copper mining that are on the same trails ridden... Continue Reading →

Jason Eskenazi – The Americans List

Review and Interview by Hans Hickerson · Publishers of photobooks publish photography books, but sometimes they also publish books about photography books. Jason Eskenazi’s The Americans List, published by Red Hook Editions, is a good example. It is about Robert Frank’s seminal book The Americans. Eskenazi asked photographers he knew and met, as well as... Continue Reading →

Tristan Partridge – Mingas+Solidarity

Review by Matt Schneider · In Mingas+Solidarity, photographer and anthropologist Tristan Partridge introduces us to the cultural tradition of minga in the ancestral community of San Isidro, Cotopaxi, Ecuador. The word “minga” is adapted from the Kichwa/Quechua word Mink’a or Minka, and as we learn from the book’s introduction, indicates “collective or communal work, based... Continue Reading →

Daido Moriyama – Quartet

Review by Brian Arnold · “Before long, my five senses and sixth sense began to function, and connections to various things and events acted in concert with the territory of the unconscious to produce the form called memory, and I began to trace the individual history that goes by the name, I.”       Daido Moriyama -... Continue Reading →

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