The Contemporary Photobook Magazine
Review by Gerhard Clausing • Sometimes it is refreshing to see a top photographer's first photographic project that has not previously been published. Recently I reviewed Roger Ballen’s reissue of his first documentary project, boyhood, and noted that it showed many instances of the promise that was later expanded and realized in many different ways.... Continue Reading →
Review by Wayne Swanson • As current events continue to remind us, the Land of the Free and the Home of the Brave is all too often the land of the repressive and the home of the intolerant. Sandy Sugawara and Catiana Garcia-Kilroy explore one shameful example of this dichotomy — the incarceration of 120,000... Continue Reading →
Review by Douglas Stockdale • The exhibition catalog that was developed for a traveling group show, Memory is a Verb, Exploring Time and Transience, which unlike many group exhibitions, is remarkable in its diversity by the eleven women who participated in this project. As stated in the foreword, “…brings together eleven women photographic artists exploring the liminal space between... Continue Reading →
Review by Douglas Stockdale • The book cover for Christian Kasners recently released photographic book, Woodward, has an interesting graphic design, printed full bleed. The repetitive pattern stirs the memory until it is apparent that this is a tire tread pattern, a subtext for the location of Kasners photo-documentary of Woodward Avenue, one of the main urban... Continue Reading →
Review by Gerhard Clausing • Stage photography, especially when it involves theatrical productions, is both a craft and an artistic endeavor requiring great skills. Not only do you have to be in command of your photography, but you also have to be a talented communicator, dealing with the director of the play, with the actors,... Continue Reading →
Review by Paul Anderson • Since 1997 Thomas Kellner has been exploring the artistic possibilities of the photographic film contact sheet, turning the grid structure of the sheet into his artistic playground. He designs and sequences the contact sheet frames in order to build dancing deconstructions of a larger scene. His prior deconstructions have included... Continue Reading →
Review by Gerhard Clausing • Portland, Oregon, is one of my favorite cities and has remained so, even as it is in transition, as many other cities are as well. My recollections are that it has the largest bookstore in the world, and that it is full of interesting people, many of whom have a... Continue Reading →
Review by Matt Schneider • "fever days fleets erected at a dazzling pace rigs roaming the seas sonar boats scanning the ocean floor young men recruited fortunes made conquering frontiers establishing capitalism" (p. 77) Forgotten Seas, by photographer, Tanja Engelberts, is a hefty photobook. By this, I mean that it is large, yes. The book is 216 pages... Continue Reading →
Review by Douglas Stockdale • This retrospective publication of Paul Caponigro is not meant to be in anyway inclusive of Caponigro’s entire body of work to date. This beautiful book encompasses some of his most wonderful, if not iconic, visual poems. Many of these same Caponigro’s photographs are what initially enticed me to consider the potential... Continue Reading →
Review by Steve Harp • Walker’s Vein by David Bernstein is a mystery masquerading as a travel guide. My immediate reaction in encountering the book object was to note its somewhat unusual dimensions – 8” x 13”, a tall, thin volume. These are proportions I usually associate with guidebooks; not a totally idiosyncratic connection, as the book presents itself... Continue Reading →
PhotoBook Journal 