Daido Moriyama – Record 2

Review by Rudy Vega • Between June 1972 and July 1973, Japanese street photographer Daido Moriyama produced the first five issues of his own magazine Kiroku (Record). In 2008, Moriyama resumed publication of Record with issue 6, and in 2017, Japanese cultural specialist Mark Holborn edited the first thirty issues of the photographer’s personal publication... Continue Reading →

Adam Thorman – Creatures Found

Review by Hans Hickerson • Photography is a surprising medium.  You think that everything has been done already, that you have seen it all, and – surprise – along comes something original. Who knew? Maybe it has been done before, but Adam Thorman’s photobook Creatures Found was a new one for me. What Thorman has... Continue Reading →

Céline Levain – Captives

Review by Hans Hickerson • Some photobooks document social, political, and cultural projects photographers undertake in their desire to do something beneficial and worthwhile, and the process and structure involved in such projects can in turn organize and shape the work of the photographer. French photographer Céline Levain was involved with female prisoners in two... Continue Reading →

Maria Elisa Ferraris – Aqua

Review by Hans Hickerson • In Maria Elisa Ferraris’ Aqua we witness the wild, terrible, awesome, raw, relentless power of water. In 34 spectacular photographs it rises, falls, lifts, pushes, pounds, churns, heaves, hammers, roils, boils, breaks, surges, slams, crashes, smashes, thunders, roars, and rages. It comes at you and doesn’t stop. The images in... Continue Reading →

Sergey Bykov – After Us

Review by Hans Hickerson • Part of the fun of reviewing photobooks is getting under the hood and taking a book apart to see what makes it work. Sergey Bykov’s photobook After Us is a good candidate for a closer look, as it resists easy analysis. Or rather there is an obvious reading but then... Continue Reading →

Frank Rodick – The Moons of Saturn

Review by Steve Harp · Frank Rodick’s monograph, The Moons of Saturn, has been sitting before me on my desk for quite some time (I will not embarrass myself by revealing just how long) – a testament to its unsettling yet spellbinding mystery.  In looking through it, I am reminded of W.G. Sebald’s novel, The Emigrants, the sense of disintegration in these images... Continue Reading →

Lynn Alleva Lilley – The Nest

Review by Hans Hickerson · Lynn Alleva Lilley’s photobook The Nest rewards careful as well as casual looking. A finely observed and lovingly chronicled portrait of the woods near her home in Silver Spring, Maryland, in 98 photographs it builds up overlapping layers of detail, form, relationship, and metaphorical resonance. Like the photographs of other artists who... Continue Reading →

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