The Contemporary Photobook Magazine
Review by Hans Hickerson · The photographs in Dana Stirling’s Why Am I Sad were taken in ten different states across the U.S., but they are not about the places they were taken. They are about the feelings of the photographer and her reaction to what she saw and her photographs document and catalogue moments... Continue Reading →
We are very pleased that six reviews dealing with photography and resistance are featured as a part of Ann Mitchell’s Winter Showcase, THINKING ABOUT PHOTOGRAPHY, just published: https://www.thinkingaboutphotography.com/photobook-resistance Mitchell writes, "the photographers in this showcase are giving voice to those who have been silenced. They celebrate lives and cultures that persist despite outside forces to... Continue Reading →
Review by Lee Halvorsen · On February 24, 2022, Russia began a full-scale invasion of Ukraine, its neighbor and former ally. Byron Smith was there and for the rest of that year he immersed himself and his camera into the lives and the deaths and the hopes of the Ukrainian community. His mostly black and white... Continue Reading →
Review by Rudy Vega • Between June 1972 and July 1973, Japanese street photographer Daido Moriyama produced the first five issues of his own magazine Kiroku (Record). In 2008, Moriyama resumed publication of Record with issue 6, and in 2017, Japanese cultural specialist Mark Holborn edited the first thirty issues of the photographer’s personal publication... Continue Reading →
Review by Hans Hickerson • Photography is a surprising medium. You think that everything has been done already, that you have seen it all, and – surprise – along comes something original. Who knew? Maybe it has been done before, but Adam Thorman’s photobook Creatures Found was a new one for me. What Thorman has... Continue Reading →
Review by Hans Hickerson • In Maria Elisa Ferraris’ Aqua we witness the wild, terrible, awesome, raw, relentless power of water. In 34 spectacular photographs it rises, falls, lifts, pushes, pounds, churns, heaves, hammers, roils, boils, breaks, surges, slams, crashes, smashes, thunders, roars, and rages. It comes at you and doesn’t stop. The images in... Continue Reading →
Report and Visual Essay by Hans Hickerson • Polycopies started as a small popup photobook sales event with a few vendors in 2014. It has grown and today includes prizes, speakers, workshops, and focused programs. It was on a refreshingly more human scale than Paris Photo, but at peak hours it too could become a mosh... Continue Reading →
Report and Visual Essay by Hans Hickerson • Never having attended Paris Photo, I did not know what to expect. I was unprepared for its overwhelming scale, its high-octane mix of image and ego. And the crowds: how at times you had to wait to squeeze in to look at a book, or to queue... Continue Reading →
Review by Gerhard Clausing • There can be no doubt that climate change is affecting our daily lives. Nick Brandt is a leading advocate for people and animals threatened by and suffering under these changing conditions. He is also a fantastic impresario of environmental portraits, thinking of unusual perspectives and locations for making a point... Continue Reading →
Review by Gerhard Clausing • This fascinating photobook combines images of two seemingly unrelated subjects, old cars and cattle. In recent travels across the United States, Ute Behrend was struck by the ubiquitous presence of these two elements throughout the landscape. As we involve ourselves in the contents and juxtapositions found in this project, we... Continue Reading →
PhotoBook Journal 