The Contemporary Photobook Magazine
Review by Lee Halvorsen · The Black Box book is multimedia art…the book itself, the images, and the text. In the Afterword, Joanna Howard writes, “Black Box marries personal memoir with artistic retrospective of such a rich career.” The style of the book, the intimacy of the images, and the reality of the storyteller’s words... Continue Reading →
Review by Rudy Vega · Ulf Lundin’s Pictures of a Family first premiered as an exhibition in 1997. Fast forward to 2024, and Pictures of a Family is realized as a photo book. Consisting of 124 pages, of which 66 are photographs (64 color and 2 black and white), it’s an interesting look at photography... Continue Reading →
Review by Gerhard Clausing • When two gifted photographers bounce ideas for personal assignments off of each other in a free-floating way, the results can sizzle. This is the situation we have in the present project. Anna Strand and Helga Härenstam gave each other nine different assignments each, to the tune of “Do something about... Continue Reading →
Review by Matt Schneider · If you have a car accident and you’re seriously injured – your left leg is broken, your right arm, nose broken, head broken, who knows what – then they put you in intensive care and everyone can see that you’re in a real mess. But if one day you break... Continue Reading →
Review by Hans Hickerson · A zine before there were zines, Lewis Baltz’ Nevada is also a print portfolio of the book’s 15 photographs. It was published in 1978 by Baltz’ gallery, Castelli Graphics, and was presumably intended as a marketing tool for the 600 8” X 10” prints that Baltz produced for the project... Continue Reading →
Review by Hans Hickerson ∙ Sap in Their Veins offers portraits of loggers as well as their personal narratives. Photographer David Paul Bayles was able to document loggers as an insider, as he himself spent four seasons working in the woods with logging crews. Looking at and reading the book we develop a better understanding... Continue Reading →
Review by Hans Hickerson · The photographs in Dana Stirling’s Why Am I Sad were taken in ten different states across the U.S., but they are not about the places they were taken. They are about the feelings of the photographer and her reaction to what she saw and her photographs document and catalogue moments... Continue Reading →
We are very pleased that six reviews dealing with photography and resistance are featured as a part of Ann Mitchell’s Winter Showcase, THINKING ABOUT PHOTOGRAPHY, just published: https://www.thinkingaboutphotography.com/photobook-resistance Mitchell writes, "the photographers in this showcase are giving voice to those who have been silenced. They celebrate lives and cultures that persist despite outside forces to... Continue Reading →
Review by Lee Halvorsen · On February 24, 2022, Russia began a full-scale invasion of Ukraine, its neighbor and former ally. Byron Smith was there and for the rest of that year he immersed himself and his camera into the lives and the deaths and the hopes of the Ukrainian community. His mostly black and white... Continue Reading →
Review by Rudy Vega • Between June 1972 and July 1973, Japanese street photographer Daido Moriyama produced the first five issues of his own magazine Kiroku (Record). In 2008, Moriyama resumed publication of Record with issue 6, and in 2017, Japanese cultural specialist Mark Holborn edited the first thirty issues of the photographer’s personal publication... Continue Reading →
PhotoBook Journal 