The Contemporary Photobook Magazine
Review by Brian F. O’Neill · There has been a surge of image-text photobooks in the market in recent years. In some, the texts and images operate rather independently, while perhaps still holding onto some underlying issue. In others, the text is treated as an opportunity for a more traditional analytical “lens” on the subject... Continue Reading →
Review by Paul Anderson • Remembrance, ephemerality and transitions are what come to mind when looking through this beautifully executed photography book by Elliot Ross. The enigmatic objects that are central to all these images are crows. The monochromatic images are elegant, have simple compositions, and gracefully employ motion blur that imparts a spiritual feeling... Continue Reading →
Review by Hans Hickerson · What is the difference between a photobook and a zine? When you consider it, there does not seem to be a clear line separating the two. For zines you think of something cheaply produced, sometimes handmade, in limited quantities, and with less focused and more informal content than books. Books... Continue Reading →
Review by Lee Halvorsen • Amy Horowitz takes us for A Walk in the Park and magically transports the reader into the stories of those she’s photographing. Washington Square Park and the West Village in New York City are rich with diversity and young people discovering themselves and adulthood in today’s world. Horowitz brings us... Continue Reading →
Review by Lee Halvorsen • Mostra is a fascinating photographic journey, a challenge to notice and appreciate the subliminal, the almost invisible object that once seen, can’t be un-seen. In his introduction Pacini tells us about the word “Mostra” or “to show” in English…to show without gesture to bring the viewer closer to the edge of... Continue Reading →
Review by Hans Hickerson · Photobooks today explore themes that photographers of previous generations never would have imagined. You name it, and some intrepid photographer is turning it into a photobook. There are books, for example, that deal with family relationships, memories of past times, emotional landscapes, and problematic real-life situations. Sunniva Hestenes’ A Tear... Continue Reading →
Review by Hans Hickerson · When he made the photographs published in his book The Waning Season, Oliver Gerhartz probably did not imagine that they would become an elegy for a brief period of relative calm between the fall of a dictatorship and a brutal civil war. Gerhartz was in Khartoum, Sudan, working as an... Continue Reading →
Review by Steve Harp · How to begin thinking about Johannes Groht’s 2025 monograph Insight Grindel? Two words which immediately come to mind are beautiful and enticing. I hope to be more substantive in my following comments, but there is no question that this is a captivating volume. Its size (app 7” x 9 ¼”)... Continue Reading →
Review by Brian Arnold · Canyon del Diablo – Devil’s Canyon. Not a unique name, I know, but to me it’s iconic. In the spring of 1995, not long after I submitted my undergraduate thesis on the anthropological writings of Zora Neale Hurston, I traveled to the desert lands along the Colorado/Utah border with my... Continue Reading →
Review by Henry Kallerud · In 1988, Anders Goldfarb started selecting photographs from his oeuvre that spoke to him about his own life, life in general, the surreal, and the visceral. In 1999, Goldfarb finalized the edit and sequence of what would become Ash Avenue. The project was tucked away, indefinitely, unseen for over a decade. Until,... Continue Reading →
PhotoBook Journal 