Nata Drachinskaya – BINOM

Review by Olga Bubich · Photobooks have long offered artists a field of expanded possibilities, allowing them to move beyond a single, linear narrative and challenge conventional expectations of what a book could look like. The history of the medium, with examples ranging from the canonical works such as Robert Frank’s The Americans (1958) and... Continue Reading →

Marcy Tilton — Bonjour Paris

Review by Lee Halvorsen •  As I paged through this book it was as if I’d wrapped myself in a flannel blanket of memories…soft colors, warm textures, familiarity, and comfort. Well, not my memories, but the memories of Tilton whose work often takes her to Paris. Over several trips she’s captured the emotions and feel... Continue Reading →

Masha Sviatahor – EVERYBODY DANCE!

Review by Olga Bubich · Every artistic technique doesn’t enter the creatives’ practice by itself. Its emergence is usually determined by a few historical, social, and cultural factors, as well as by individual searches for a form capable of translating one’s inner and outer worlds. And collage is no exception. As a method, it was... Continue Reading →

Siri Kaur – Sister Moon

Review by Hans Hickerson · How do you determine what a photobook means? Do you read the publisher’s press release and then look at the book? Or do you look at the book to see what’s there and ignore the PR? That’s what I usually do. I figure the book is the final authority, that... Continue Reading →

Daniel Lee Postaer – Mother’s Land

Review by Hans Hickerson · In much the same way that the Internet has democratized speech but also cheapened it, the ability to produce photobooks easily today is a blessing and a curse. It is a blessing because photographers can package and share their work with fewer barriers. It is a curse because everyone is... Continue Reading →

Joe Doherty – The Johnny Chronicles

Review by Hans Hickerson · The Johnny Chronicles, An Anthology of Love and Absurdity, is a good reminder that one way to evaluate art is to look at how it communicates or offers consequential human experience. The Johnny Chronicles definitely does this. The book fits into the narrative / documentary photobook tradition and you can... Continue Reading →

Scott Offen – Grace

Review by Steve Harp · Scott Offen’s 2025 monograph Grace is a lovely book.  As an object, its beauty confronts the viewer from the first look – the “porthole” opening cut into the cover gives a view of a tipped-in, beautifully subtle gray-scale image beckoning mysteriously to the viewer.  The image, of a large, leafy... Continue Reading →

Shahria Sharmin — Call me Heena

Review by Lee Halvorsen •  The images, the book as an object, the story, the people, and the artist weave, then blend together to create the soul of this incredible work of art. Shahria Sharmin spent a dozen years listening to and coming to know people in Bangladesh’s Hijra community. In the Afterword, Sharmin walks... Continue Reading →

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