Shahria Sharmin — Call me Heena

Review by Lee Halvorsen •  The images, the book as an object, the story, the people, and the artist weave, then blend together to create the soul of this incredible work of art. Shahria Sharmin spent a dozen years listening to and coming to know people in Bangladesh’s Hijra community. In the Afterword, Sharmin walks... Continue Reading →

Amani Willett — Invisible Sun

Review by Lee Halvorsen •  The Japanese have a word that perfectly describes how I imagine Willett approached making this book…”Komorebi” (木漏れ日) often translated as sunlight filtering through leaves, creating patterns of dancing light and shadow, and, importantly, a feeling of discovering light in the darkness. In an Afterword, which is a large sticky on... Continue Reading →

Martin Stupich — ORE and EMPIRE

Review by Lee Halvorsen •  History, art, colonialism, exploitation, humanity…all swirling about in Stupich’s monumental collection of visual and textual art in this book. He brings North America’s Camino Real alive from the time of the Spanish Conquistadores to twentieth century’s Guggenheim’s vice like grip on silver and copper mining that are on the same trails ridden... Continue Reading →

Amy Horowitz — A Walk in the Park?

Review by Lee Halvorsen •  Amy Horowitz takes us for A Walk in the Park and magically transports the reader into the stories of those she’s photographing. Washington Square Park and the West Village in New York City are rich with diversity and young people discovering themselves and adulthood in today’s world. Horowitz brings us... Continue Reading →

Federico Pacini — Mostra

Review by Lee Halvorsen •  Mostra is a fascinating photographic journey, a challenge to notice and appreciate the subliminal, the almost invisible object that once seen, can’t be un-seen. In his introduction Pacini tells us about the word “Mostra” or “to show” in English…to show without gesture to bring the viewer closer to the edge of... Continue Reading →

Hendrik Paul — DARK LIGHT

Review by Lee Halvorsen  • This book is more experience than observation, more emotion than entertainment, more subtle and captivating than literal and descriptive. The volume is finely made, medium weight…two hundred twenty-seven fascinating pages filled with meditative styled images not typically brought together in such an immersive volume. And, immersive it is…slowly wrapping itself around... Continue Reading →

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