Review by Paul Anderson • In 1971, singer-songwriter Steve Goodman penned the song “City of New Orleans,” which poetically captures a ride on the Illinois Central Railroad southbound out of Chicago. Wrapped up in the lyrics are images of Americana and the local landscape as the train “Rolls along past houses, farms and fields.” Much... Continue Reading →
William Cope – Mountain: Matheran
Review by Paul Anderson • In 1971, singer-songwriter Steve Goodman penned the song “City of New Orleans,” which poetically captures a ride on the Illinois Central Railroad southbound out of Chicago. Wrapped up in the lyrics are images of Americana and the local landscape as the train “Rolls along past houses, farms and fields.” Much... Continue Reading →
William Cope – Cement
Review by Paul Anderson • In 1971, singer-songwriter Steve Goodman penned the song “City of New Orleans,” which poetically captures a ride on the Illinois Central Railroad southbound out of Chicago. Wrapped up in the lyrics are images of Americana and the local landscape as the train “Rolls along past houses, farms and fields.” Much... Continue Reading →
Karol Szymkowiak – 0169-8629 5223-01750
Review by Gerhard Clausing • This photobook presents a narrative of the collision of several parallel realities, both current and historical. A pristine lake, the largest in a Polish province, lies in the vicinity of a major airport and an airbase, both of which also constituted a prime nuclear target in case World War III... Continue Reading →
Helen Rosemier – Zones of Possibility
Review by Gerhard Clausing • This artistic photobook gives you the impression of looking through a universal family album that encompasses more than your immediate surroundings. It gives you a look into the past that seems like an ambiguous societal cross section, a composite view with many personal nuances. Not only that, but photographs printed... Continue Reading →
Helga Härenstam & Anna Strand – The Exposed Eye
Review by Gerhard Clausing • When two gifted photographers bounce ideas for personal assignments off of each other in a free-floating way, the results can sizzle. This is the situation we have in the present project. Anna Strand and Helga Härenstam gave each other nine different assignments each, to the tune of “Do something about... Continue Reading →
Anastasia Samoylova – Adaptation
Review by Gerhard Clausing • The work of Anastasia Samoylova, as shown in this first photobook retrospective and also in an exhibition at the NYC Metropolitan Museum of Art (through May 11, 2025) was a delightful discovery for me. Not only does she create landscapes and other scapes that have meaning and a certain timelessness,... Continue Reading →
Daido Moriyama – Record 2
Review by Rudy Vega • Between June 1972 and July 1973, Japanese street photographer Daido Moriyama produced the first five issues of his own magazine Kiroku (Record). In 2008, Moriyama resumed publication of Record with issue 6, and in 2017, Japanese cultural specialist Mark Holborn edited the first thirty issues of the photographer’s personal publication... Continue Reading →
Maria Elisa Ferraris – Aqua
Review by Hans Hickerson • In Maria Elisa Ferraris’ Aqua we witness the wild, terrible, awesome, raw, relentless power of water. In 34 spectacular photographs it rises, falls, lifts, pushes, pounds, churns, heaves, hammers, roils, boils, breaks, surges, slams, crashes, smashes, thunders, roars, and rages. It comes at you and doesn’t stop. The images in... Continue Reading →
Sergey Bykov – After Us
Review by Hans Hickerson • Part of the fun of reviewing photobooks is getting under the hood and taking a book apart to see what makes it work. Sergey Bykov’s photobook After Us is a good candidate for a closer look, as it resists easy analysis. Or rather there is an obvious reading but then... Continue Reading →