Daido Moriyama – Record 2

Review by Rudy Vega • Between June 1972 and July 1973, Japanese street photographer Daido Moriyama produced the first five issues of his own magazine Kiroku (Record). In 2008, Moriyama resumed publication of Record with issue 6, and in 2017, Japanese cultural specialist Mark Holborn edited the first thirty issues of the photographer’s personal publication... Continue Reading →

Maria Elisa Ferraris – Aqua

Review by Hans Hickerson • In Maria Elisa Ferraris’ Aqua we witness the wild, terrible, awesome, raw, relentless power of water. In 34 spectacular photographs it rises, falls, lifts, pushes, pounds, churns, heaves, hammers, roils, boils, breaks, surges, slams, crashes, smashes, thunders, roars, and rages. It comes at you and doesn’t stop. The images in... Continue Reading →

Sergey Bykov – After Us

Review by Hans Hickerson • Part of the fun of reviewing photobooks is getting under the hood and taking a book apart to see what makes it work. Sergey Bykov’s photobook After Us is a good candidate for a closer look, as it resists easy analysis. Or rather there is an obvious reading but then... Continue Reading →

Polycopies 2024 (Paris)

Report and Visual Essay by Hans Hickerson • Polycopies started as a small popup photobook sales event with a few vendors in 2014. It has grown and today includes prizes, speakers, workshops, and focused programs. It was on a refreshingly more human scale than Paris Photo, but at peak hours it too could become a mosh... Continue Reading →

Paris Photo 2024

Report and Visual Essay by Hans Hickerson • Never having attended Paris Photo, I did not know what to expect.  I was unprepared for its overwhelming scale, its high-octane mix of image and ego. And the crowds: how at times you had to wait to squeeze in to look at a book, or to queue... Continue Reading →

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