Review by Rudy Vega • Between June 1972 and July 1973, Japanese street photographer Daido Moriyama produced the first five issues of his own magazine Kiroku (Record). In 2008, Moriyama resumed publication of Record with issue 6, and in 2017, Japanese cultural specialist Mark Holborn edited the first thirty issues of the photographer’s personal publication... Continue Reading →
Maria Elisa Ferraris – Aqua
Review by Hans Hickerson • In Maria Elisa Ferraris’ Aqua we witness the wild, terrible, awesome, raw, relentless power of water. In 34 spectacular photographs it rises, falls, lifts, pushes, pounds, churns, heaves, hammers, roils, boils, breaks, surges, slams, crashes, smashes, thunders, roars, and rages. It comes at you and doesn’t stop. The images in... Continue Reading →
Sergey Bykov – After Us
Review by Hans Hickerson • Part of the fun of reviewing photobooks is getting under the hood and taking a book apart to see what makes it work. Sergey Bykov’s photobook After Us is a good candidate for a closer look, as it resists easy analysis. Or rather there is an obvious reading but then... Continue Reading →
Interviews with Polycopies Organizers Sebastian Hau, Sara Giuliattini, and Laurent Chardon
By Hans Hickerson • [Editor’s Note: These interviews are an interesting look at the history and wherewithal of this event, and accompany the report and visual essay we published a few days ago.] Paris, November 10, 2024 Sebastian Hau Hans Hickerson: So, can you tell a little bit about the history of Polycopies and how... Continue Reading →
Polycopies 2024 (Paris)
Report and Visual Essay by Hans Hickerson • Polycopies started as a small popup photobook sales event with a few vendors in 2014. It has grown and today includes prizes, speakers, workshops, and focused programs. It was on a refreshingly more human scale than Paris Photo, but at peak hours it too could become a mosh... Continue Reading →
Paris Photo 2024
Report and Visual Essay by Hans Hickerson • Never having attended Paris Photo, I did not know what to expect. I was unprepared for its overwhelming scale, its high-octane mix of image and ego. And the crowds: how at times you had to wait to squeeze in to look at a book, or to queue... Continue Reading →
Pryor Dodge – YLLA: The Birth of Modern Animal Photography
Review by Gerhard Clausing • All you have to do is watch “Gorilla Videos” on Facebook to recognize that some animals are very similar to us. And that is not really a case of anthropomorphism, which can be defined as attributing human characteristics to other creatures. But assigning animals to a lower class and denying... Continue Reading →
Holly Roussell, Editor – Mo Yi: Selected Photographs 1988-2003
Review by Gerhard Clausing • Mo Yi is an interesting Chinese photographer of Tibetan origin. He has had only a few major exhibitions in the West; this photobook and the related exhibitions (UCCA Center for Contemporary Art and Arles Photography Festival) are a welcome change. His work encompasses several decades of experimenting with images of... Continue Reading →
Michael Rababy – Casinoland: Tired of Winning
Review by Melanie Chapman • If Toulouse-Lautrec and Martin Parr had a baby, its name would be Casinoland: Tired of Winning. A dynamic collection of new color photographs by Michael Rababy, this publication from Kehrer Verlag focuses our gaze on the denizens of casinos in Las Vegas, Reno, and other illustrious locales, and offers such... Continue Reading →
Natalie Herschdorfer – Man Ray: Liberating Photography
Review by Gerhard Clausing • This photobook provides us with a refreshing new look at the photographic creations and experiments of Man Ray, especially those from the 1920s and 1930s. It presents interestingly juxtaposed examples of the artist’s work that allow us to compare his style, his excellence in combining light and shadow, as well... Continue Reading →